What Makes Someone an Artist?

Hey All!

Here’s Chapter 1 from my latest (41st) book, Photo Quest - Discovering Your Photographic and Artistic Voice. Enjoy.

1.

What Makes Someone an Artist?

“Every child is an artist. The problem is how to remain an artist once he grows up.”

―Pablo Picasso  

                  If you are a photographer, the first step on this creative journey of yours is to ask yourself: “Am I an artist or a photographer?” If you are a painter, you can ask yourself: “Do I just copy a painting or idea or do I create something unique?” If you are a musician, you can ask yourself: “Am I creating original music or am I just plying ‘covers’ (renditions of popular songs)? To answer that question, you first need to ask: “What’s the difference?”

         We can begin to find the answer by looking at the difference between art (which is subjective) and science (which is objective).

Art: An artistic photograph often has a sense of mystery, as discussed in Chapter 11: Creating a Sense of Mystery. We can, of course, add “creating a sense of fantasy” when it comes to an artist’s image.

Science: A straight, or “scientific.” photograph if you will, simply shows what we see without any digital enhancements—none whatsoever.

Therefore, as educator Karen P.L. Hardison (who writes for enotes.com) states, “Art and science are therefore in fundamental character very dissimilar.”

So, if we translate that to photography, there is a fundamental difference between being an artist and a photographer.

That being said, I have seen straight-out-of-the camera artistic images that have captivated me, as does art, simply because the photographer composed and exposed the photograph perfectly, but more importantly because of the subject—we should never underestimate the importance of a good subject. Think of the most beautiful sunset or sunrise photograph you have taken or have seen. Thanks to Mother Nature “painting” the scene with dramatic light and shadows, adding “brush strokes” of colorful light, and creating breathtaking clouds, we have, indeed, a work of art in a straight shot.

I can’t stress enough the importance of a good subject. My friend/artist/photographer Art Wolfe agrees and has dozens of examples in his book, Human Canvas. In this coffee table book, Art uses his exceptional photography and his background in fine art painting to transform skin into an abstract landscape.

According to Art, “The project was inspired by the body-painting traditions of indigenous peoples that I have photographed worldwide, and particularly those in Ethiopia and Papua New Guinea. I set out to present my ‘own take’ on this art form and explore concepts of universal beauty.

Through the use of lines, patterns, textures, and unusual points of view, I tried to abstract the human form and create a unique and captivating look of the human body as art. The result, I feel, is an energized expression of both artistic mastery and cultural impact.”

I like Art’s idea and the way he explains it. An important point he mentions is that it’s his “own take.” I think if we experiment with a concept and try our “own take,” we just may come up with an original—and artistic—idea.

••• 

         When asking ourselves if we are an artist or a photographer, for example, there is another answer: you can be both.

I asked this question on Facebook and received dozens of comments. I used them here with the understanding of these Facebook friends that their comments would be used in a book.

Take a look, and see if you see yourself in these words, especially in the last two comments.

•••

Erin Babnik

You could ask the same question of someone whose medium is paint: are they a painter or an artist? A professional house painter or sign painter might not self-identify as an artist, even if they take pride in having achieved a high level of craftsmanship. In my view, an artist is simply someone who uses their medium as an outlet for personal expression, intending to put something of them into each creation, no matter what medium they are using. A photographer has many options for expressing a personal way of 'seeing' that is infused with personal ideas about what is in front of the camera—from framing to timing to lighting to post-processing, the options are nearly limitless. Because I use cameras to suggest my ideas about the world, I consider myself an artist, but I am also a photographer.

Ron Clifford

My camera is the instrument of connection. Photoshop and Lightroom my studio. I am an artist. My medium is light.

Buddy Weiss

The answer is "yes." I'm a photographer because I take photographs. I'm an artist because I select the subject, the camera position, the framing, the timing, the aperture and shutter speed, and because I make my desired adjustments in post-processing to convey a look and feel that is mine and mine alone. There you have it.

Alec Arons

To me it is about creating images with mood and feeling that I care about intending to express myself to others visually. So yes I am an evolving artist that has selected photography as his method of expression.

Bonnie Gresham Davidson

Sometimes I’m a photographer taking pictures as we travel. Sometimes I’m an artist creating images. These might be considered artistic by some and not by others. But the freedom of being an artist far outweighs what others think. We don’t all have the same taste.

Shelly St. Jean

My art starts in my mind, as a vision, I imagine it and then I work it into a real-life setup I use the beauty around me and maybe add more. My canvas is my camera where I paint with light to create. Therefore I am not only a photographer, I am also an artist!

Kevin Scott

I am both, depending on the situation. Sunrise/sunsets, I'm an artist. Sports, I'm a photographer. Weddings, I'm mostly a photographer. But to be honest, even wedding photos can delve into artistry, depending on what I may do in post. I hope this helps.

Eric Friedmann

I’m a photographer who occasionally makes art.

Rick Berk

 I’m a photographic artist. Because I create with the camera a look that I want to convey to my viewer through the creative use of shutter speed and aperture.

Glenn Taylor

I’m not sure anymore. I just keep moving forward and trying to improve.

Karen Hoffman

I am still learning and haven't reached that personal verdict yet.

• • • 

I think the message here is that it's okay to be both a photographer and artist, or both a musician who plays original music or cover songs to, as my mother told me when I a kid, "Always follow your heart."

Hey, I know that is not always an easy choice, due to the ups and downs of growing as a photographer, artist, and person. I'll talk more about that in Chapter 5 – The Roller Coaster Ride of Creatives.

The key is to never give up.

• • •

Ask yourself: “Am I an artist or a photographer (or both), or a creative or someone who just copies?” That question begs another question: “What is art?”

Seeking the answer will help us find our photographic and artistic voices.

Of course, art is subjective, but I think deep down inside we can tell the difference between a work of art and the “same old, same old.” For example, I think Orson Welles’ Citizen Kane, with its very dramatic lighting (accentuated by using black-and-white film) and unique camera angles, is a work of art. I think many film lovers would agree. At the opposite end of the creative spectrum are daytime soap operas on broadcast television channels. The lighting is relatively boring, among other factors. That being said, daytime soap operas are not intended to be works of art.

When it comes to music (one of my passions), the same idea holds: “bubble gum” pop songs like “Yummy Yummy Yummy” (the 1968 hit by the Ohio Express) are not works of art. Adagio for Strings by Samuel Barber is art. It was played at JFK’s funeral, and some say it is the saddest classical piece ever written. 

The following are a few of my favorite explanations of art by well-known artists. I’ll follow up with comments on two quotes that hit home for me.

“Ideas alone can be works of art…All ideas need not be made physical…A work of art may be understood as a conductor from the artist’s mind to the viewer’s. But it may never reach the viewer, or it may never leave the artist’s mind.” —Sol LeWitt

“We all know that art is not truth. Art is a lie that makes us realize the truth.” —Pablo Picasso

“Art is filling a space in a beautiful way. That’s what art means to me.“ —Georgia O’Keeffe

“Art is a habit-forming drug.” —Marcel Duchamp

“Art is a revolt, a protest against extinction.” —André Malraux

Expanding on André Malraux’s quote about extinction, I think consciously or subconsciously, we would all like to leave something behind when we leave this world. That is why I can relate to the quote. Another way to convey that sentiment: an artist lives forever. Long live the artists!

On a side note, a writer also lives forever, which is kind of cool, because you can talk to people even after you are dead.

Your Mission:

Take a straight photograph of an everyday object, perhaps a piece or a bowl of fruit. In the digital darkroom, try adding some enhancements. Even a blurry vignette, which appears to change the depth of field, can make an image look more artistic. If you are a painter, try similar techniques.

 

 


 

How a Single Tweet Affected My Life - and the importance of your own creative radar

Before I share my story and timeline about how a single tweet affected my life, here is the moral of this story: Always have your creative radar turned on – and act on what that radar is picking up.

Here goes.

June 2019 – I see a tweet about a new book, Bird Therapy. It catches by eye because I love photographing birds, which is good therapy. I am always thinking, “How can I apply that idea to photography?” The idea of Photo Therapy immediately shows up on my creative radar. It was fairly obvious.

July 2019 – I start writing Photo Therapy (my 40th book), with the idea of producing a words-only book – because I do not want the reader to be distracted by pretty photographs. I want the reader to slow down and think about their photographs, not mine. I think I am finished at 20,000 words, but keep going and finish with 35,000 words.

September 2019 Photo Therapy is published on Amazon - in paperback and as an ebook. I am surprised at the positive response. It becomes my best-selling photography book - again, one with no photographs.

November 2019 – After receiving dozens of emails about Photo Therapy, the idea of a sequel shows up on my creative radar. I start writing Photo Quest – with the goal of helping photographers find their creative and artistic voice.

March 2020 – Many emails show up in my inbox about Photo Therapy. To give readers a place to share their ideas and photographs, I start the Photo Therapy Facebook Group. In less than a month we have 1,000 members. (Today, I spend more than two hours a day on that page, trying to comment on as many photographs as possible.)

May 2020 Photo Quest is published on Amazon. It’s another words-only (55,000) book. One difference between the two books is that in Photo Quest I have an All-Star team (36) of Photo Mentors who also share their words of wisdom. Here, too, the reaction exceeds by expectations.

So my friends, as I said: Always have your creative radar turned on – and act on what that radar picks up.

Introducing My 41st Book: Photo Quest - Discovering Your Photographic and Artistic Voice

Photo Quest - Discovering Your Photographic and Artistic Voice is now available on Amazon as both an e-book and paperback. If you are in search of becoming a more creative photographer, and not just searching for ways of taking better pictures (there is a big difference), you have come to the right place . . . because we all need to find our creative and artistic voice.

Like my book Photo Therapy, Photo Quest includes only words of wisdom, motivation and inspiration. There are no photographs in this timely book.

There are two reasons for not including photographs: One, I want you to slow down and read the text carefully; Two, I want you to think about your photography and art when you are reading about an idea or technique – and not be distracted by my colorful images.

What’s especially cool, and of course educational, about this book is that I have assembled an all-star team of photo and creative mentors that offer advice and insight on finding one’s photographic and artist voice. You’d be hard pressed to find this much talent between the covers of one photography book.

This list of contributors reads like a “Who’s Who” in the world of photography in 2020. These pros include Erin Babnick, Martin Baily, Richard Bernabe (who wrote a heart-felt Foreword), Steve Brazill, Jeff Cable, Tony Corbell, Alec Arons, Patricia Davidson, Dave DeBaermaeker, Ron Clifford, Ed Cooley, Unmsh Dinda, Frank Doorhof, Piper Mackay, Scott Kelby, Karen Hutton, Don Komarechka, Ian Plant, Trey Ratcliff, Art Wolfe – and more!

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FYI: I got the idea for the All-Star Photo Mentors after seeing Ring Starr and his All-Starr Band.

On these pages you will learn about (in chapter titles of the same name): Finding Your Superpower and Inner Voice, Your Secret Weapon, Idea to Image, Specializing or Not Specializing, The Rollercoaster Ride of Creatives, The Importance of Your Conversation, Changing Lanes, Creating a Sense of Mystery, Photography & The Death of Reality, Know Your Audience & Build Your Brand – and more.

Each of the 22 chapters in the book ends with a Mission – an assignment – that will help you on your personal photo quest, which I feel will be one of the most rewarding adventures in your photographic and artistic life.

This book is also filled with dozens of inspirational quotes relating to photographs and all artists. Here is one of my favorites: An artist cannot fail; it is a success to be one. – Charles CooleyPhoto Quest - Discovering Your Photographic and Artistic Voice

 

Introducing My 40th Book: Photo Therapy Motivation and Widsom

Whew! I feel much better now that I’ve gotten 40 books out of my head! :-)

So here’s the deal: A new filter, camera, lens, tripod, reflector/diffuser kit and speedlite can surely help you make better photographs – but they can’t necessarily make you a better photographer.

That’s where my 40th book, Photo Therapy Motivation and Wisdom – Discovering the power of pictures, comes in. Understanding why and how we are motivated to make pictures – and what your photography means to you – is of the utmost importance. So is learning about emotional intelligence for photographers, how to steal like an artist, realizing that it’s never to late to be who you might have been, and understanding the difference between looking at seeing. Exploring light and color therapy also helps.

All those topics and much more – including my 40 quick-tip “Sammonisms” and 20 “missions” (self assignments) – are covered in my latest text-only book.

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Click here to order the Kindle book from Amazon. $9.99.

Click here to order the paperback book from Amazon. $15.99.

Well-known photo educators, who also believe in the power photo therapy, contributed to my latest work. They include: Art Wolfe, Trey Ratcliff, Scott Bourne, Skip Cohen, Richard Bernabe, Randy Hanna, Ron Clifford, Denise Ippiloto, Derrick Story, Jonathan Scott (The Big Cat Man) and Steve Brazill.

Unlike my other 39 photo-rich books, Photo Therapy Motivation and Wisdom – Discovering the power of pictures, has no photographs between the covers. Yet, I feel as though it is my most important work. I trust this book will make you think – hard – about your photography, and about how using your brain, the best photo “accessory,” will help you become a better photographer. Or as stated by black-and-white landscape photographer Ansel Adams, “The single most important component of a camera is the twelve inches behind it.” 

Famed photographer Lewis Hine said, “If I could say in words what I say with my pictures, I would not have to lug around a camera.”

It’s not that I am tired of lugging around a camera. It’s just that I think the motivational and inspirational message of this book is better expressed without showing my own pictures. Rather, in reading the 35,000-word text, I’d like you to imagine your own pictures – and potential pictures – while I am describing a situation, process, technique, feeling or emotion.

My son Marco asked me, “How long did it take you to write this book?” First I answered, “Three months.” But then I changed my answer. “In reality, it took me almost 70 years to write this book – because it includes not only photo lessons, but life lessons as well.

One-on-one Photo Therapy sessions, in person and on-line via Skype are available. The sessions include a portfolio review (on-line gallery). Cost is $125 an hour. Shoot me an email to arrange a session.

Enjoy - and I’d love your feedback, here or via email.

Rick

P.S. Below: This is how I looked while writing 35K words… and after!

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